Paul Francis

Paul Francis is a retired teacher, living in Much Wenlock, who has been a member of Bridgnorth Writers’ Group since 1998. He’s a versatile writer who’s written plays, an autobiography and a novel, but who now mainly concentrates on poetry. He writes in a variety of forms, some of them regular, and ranges widely in length, tone and subject matter – including political satire.

 

He’s won three national competitions, and was placed in the top three of the Guernsey On the Move competition in 2010, 2014 and 2015.  In August 2020, WriteOutLoud ran Beyond the Storm, a poetry competition in support of the NHS. Short-term Investment, by Paul Francis, came second out of over 2,300 entries.  Also in 2020, Paul was awarded third prize in the Waltraud Field poetry competition.  His most recent full collection is Sonnets with notes (Liberty Books, 2019), but he’s also published a range of topical pamphlets. He’s heavily involved in the West Midlands poetry performance circuit, taking part in readings at Shrewsbury, Ludlow, Wolverhampton, Walsall, Burton and Lichfield, and was the Wenlock Poetry Festival poet-in-residence in 2016. During three months of lockdown in 2020, he wrote and posted a sonnet a day on his website, www.paulfranciswrites.co.uk This sequence will be published as Turning off the news later this year.      

 

This is one of the poems in Sonnets with notes:

 

 The Pull of Philosophy

 

Philosophers are nimble, show no fear

except on dance-floors. Camus is a wreck.

Algerian outsider – who’d choose him?

Like some myopic hamster, Jean-Paul Sartre

emerges, blinking, though the lights are dim.

The grail, for all of them, is Juliette:

that long straight hair, that plain wool turtleneck.

Black symmetry, unutterably cool.

 

But here comes Merleau-Ponty. He can glide

like silk across a nightclub in Montmartre.

What’s going on?...It can’t be…at his side

is Juliette, recruited to his school.

Hand on his shoulder, whispers in his ear

With existentialism, what I don’t get…

© Bridgnorth Writers, 2020

 

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