Sharon Ashton

Since gaining a first class honours degree in Creative Writing at Birmingham University, Sharon's poetry and short stories have been published in journals such as The Yellow Room, The Interpreter’s House, The RialtoThe Cannon’s Mouth and Raw Edge, and her poetry selected for collections published by Ragged Raven Press, Open Poetry and Poetry in the Waiting Room. 


In 2009 she was invited by Luke Kennard to represent Birmingham University's Creative Writing dept. by reading her poetry at the city's Literature Festival, and has regularly read at poetry festivals since. Her poems have won awards in various poetry competitions, and this year two of her poems were shortlisted in the 2020 Wolverhampton Literature Festival Poetry Competition, another highly commended in the Cannon Poets Sonnet or Not competition, and another long-listed for Nature in the Air poetry call-out.

Particularly interested in poetry inspired by art, her first published collection Encounters with the Garman Ryan (2009) arose from a collaboration with Walsall New Art Gallery. She has taught courses on writing poetry in response to art, and as a founder member of art\write regularly works with artists for exhibition-based performances.

Sharon's writing often explores the female experience (evident in her 2014 collection UnWife ) but to balance things out, her 2018 debut novel The Unravelling of Michael Gilchrist is written entirely from the male POV.


Read Sharon's poem Hallowe'en here

To read more of Sharon's work visit  Sharon Ashton Poetry



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ISBN 9781789014693

Paperback £ 9.99   E-book £3.99

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Amazon reviews: 


'A very clever book ... full of laugh out loud humour and genuine regard for the ridiculousness of life. Wonderfully written!' 


'Somewhere satisfyingly between ‘Men Behaving Badly’ and ‘Bridget Jones’ Diary’...' 


'This intelligent, readable novel sustains its interest and suspense up to the final page.'


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‘The sometimes corpulent, the crude and the erotic of the everyday world mesh well into the prayer and the hope that lies in these encounters.’ Breandan O’Broin. Company of Words